When he gets there, the witch shoves him off the tower and he falls into a bush of sharp thorns which gouge out his eyes. When the prince shows up, ignorant to the turn of events, the witch throws down one end of Rapunzel's lopped-off hair, letting him climb up to the window. However, the evil witch discovers the plan, cuts off Rapunzel's hair and casts her out into the woods to die. NEWS: An Artist Imagined Who Disney Princesses Would Dress Up as for HalloweenĮventually, the prince helps Rapunzel plan her escape. Weeks later, it's revealed that her dress is getting tight around her stomach – a subtle way of revealing that some random, roaming prince knocked up an obviously kidnapped pre-teen girl. The 12-year-old Rapunzel lets down her hair and he climbs into her room, where he proceeds to immediately ask for her hand in marriage. In the story, a prince is riding through the woods near Rapunzel's tower. Also, the slipper isn't glass, it is gold. Instead, there is a magical wishing tree and some talking doves. The evil queen then tries to burn Talia at the stake, but the king - now the hero of this fable - saves Talia, and kills his wife instead.Ĭinderella- In the Brothers Grimm version of Cinderella, known as Aschenputtel, there are a few minor differences from the Disney film that became a hit. The chef hides the babies with his wife and cooks lamb instead, saving the children. She tells the royal chef to kill the kids and make them into a meal for the king, so he will unknowingly eat his own children. When the king's wife, the evil queen, learns of Talia and the two kids, she invites them over under a false pretense, and she kidnaps the babies. He struck a compromise: Pinocchio’s life would be spared, but in return his punishments would become ever more baroque and gruesome.Talia gives birth to twins, who suck on her finger and happen to pull out the splinter (Was that really the solution? No one thought of that?) When she awakens, the rapist king returns and they bond over their mutual interests, such as his bastard children. Collodi also altered the genre, rewriting his tragedy as black comedy. His publishers forced him to extend the story, bringing Pinocchio back to life through the intervention of a beautiful child with blue hair (the character that later morphs into the Blue Fairy). But when Pinocchio was hanged after the 15 th installment, Collodi’s young readers were horrified. Pinocchio was originally published serially in the weekly Giornale dei bambini, the “newspaper for kids,” where it gained a large following. In fact the final two-thirds of the book were an afterthought. There is some business at the end about becoming a “real boy,” but it seems an afterthought. Try and do better in the future and you will be happy. Collodi’s moral is that you if you behave badly and do not obey adults, you will be bound, tortured, and killed.īoys who minister tenderly to their parents and assist them in their misery and infirmities, are deserving of great praise and affection, even if they cannot be cited as examples of obedience and good behaviour. The moral of the film is that if you are brave and truthful, and you listen to your conscience, you will find salvation. (In the book, when the cricket scolds Pinocchio for rebelling against his father, Pinocchio bashes the insect’s brains out with a hammer.) And Disney turned a single scene-in which Pinocchio’s nose grows when he tells a lie-into a central motif. Similarly the “Talking-Cricket,” a minor nameless character, became Jiminy Cricket, a tiny bald-headed man who serves as the puppet’s voice of conscience. He would not be depicted as a puppet after all but as a real boy, and a gentle, winsome one at that. Pinocchio’s wish would be fulfilled from the start. It was unsuitable for children, Disney concluded: Pinocchio was too cocky, too much of a wiseguy, and too puppetlike to be sympathetic. It’s hard to blame Disney-Pinocchio is a rotten kid.Įarly in the project, in fact, Disney became so frustrated with Collodi’s story that he halted production. That is the Pinocchio depicted in Walt Disney’s adaptation, which whitewashed Collodi’s tale when it was released in 1940. I always imagined him as a cheerful little puppet who desires nothing more than to be transformed into a real live boy. Is that not how you remember Pinocchio? Me neither.
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